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Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians living in Southern California. The film opens at a skate park, where a troubled character takes his own life; it then proceeds to chronicle the somewhat-interrelated lives of his classmates. The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for sex sessions with his girlfriend's mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui). Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its explicit content made finding a U.S. distributor near-impossible. ~ Michael Hastings, Rovi

Movie Title : Ken Park
Release Date : Aug 31, 2002 Wide
Genre Movie :Drama
Actors :James Ransome,Tiffany Limos,Stephen Jasso,James Bullard,Mike Apaletegui,Adam Chubbuck,Wade Andrew Williams,Amanda Plummer,Maeve Quinlan,Julio Oscar Mechoso,Bill Fagerbakke,Harrison Young,Patricia PlaceMpaa Rating : Unrated

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Visitor Ranting and Critics For Ken Park

Critics Ranting For Ken Park : 4.7
Critics Percentage For Ken Park : 43 %
User Ranting Movie Ken Park : 3.3
User Count Like for Ken Park : 8,953

Review For Movie Ken Park

A ragingly controversial feature that makes it very tricky to distinguish between insightful and incite-ful.
Michael Rechtshaffen-Hollywood Reporter

Larry Clark's cinema has, if nothing else, very specifically delineated the line drawn by the American court's decency standards under the Child Protection and Obscenity Enforcement Act (generally referred to as "2257").
Cole Smithey-ColeSmithey.com

Here, finally, Clark takes the skankiness out of teen sex, making it into a romantic idyll.
Rob Gonsalves-eFilmCritic.com

Because the filmmakers cook up an equal number of touching sequences to match their disturbing ones, their portrait of disturbed America comes through clearly and effectively.
Jeffrey M. Anderson-Combustible Celluloid

well-shot, but it is the only good thing that could be said about KEN PARK
Dragan Antulov-Draxblog Movie Reviews

Ken Park leads viewers, fans, and detractors to wonder, "What the hell is this guy doing?"
Norm Schrager-Filmcritic.com

Thoroughly vile!...It galls me to think that other nations might believe this is what American youth is really like
Laura Clifford-Reeling Reviews

Pornografia infantil disfarçada de "arte".
Pablo Villaca-Cinema em Cena

This is a movie that lends a voice to a good chunk of the youth population. It's a voice that just wants to be heard. Is that too much to ask?
Ryan Cracknell-Movie Views

Less a film than a moment in time--at least that's what Ken Park's dreamy bookends would have you believe.
Ed Gonzalez-Slant Magazine

Parental figures are one-dimensional. Behavior becomes extreme and absurd, making the film laughable.
Ed Scheid-Boxoffice Magazine

The film is fascinating, but sort of like watching a road accident.
Mark R. Leeper-rec.arts.movies.reviews

The worst film I've seen since... Well, "Bully".
Kevin N. Laforest-Montreal Film Journal

Makes Happiness look like Dumbo.
Bill Chambers-Film Freak Central

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Movie Overview For Ken Park

Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.